Wait, you mean theaters are allowed to play other movies
besides Star Wars?!?
The Hateful Eight is the eighth movie directed and written
by Quentin Tarantino. Starring Kurt Russell, Samuel Jackson, Jennifer Jason
Leigh, and Walton Goggins. I went to the special roadshow event which was
presented in 70mm. This is the first movie I have ever seen in the theaters
shot and presented in 70mm with the correct ratio aspect. Did I really notice?
Honestly, not really. If this movie was shot in IMAX and presented in a digital
format I think it would have looked just as good. It is an extremely beautiful
looking movie, but is that because Tarantino is a great director and worked
with a fantastic cinematographer, or because it was shot in 70mm. I think it is
probably the former and whatever the movie was shot on it would look brilliant.
I’m however also color blind, so maybe something is lost on me as a viewer.
Shooting in 70mm is more for Tarantino and him being a lover
of classic cinema and the way movies used to be made. I personally loved going
to the theater tonight and getting a program for the movie, having a musical
overture, and an intermission. It made
for a special evening, and also harkens back to the fifties and sixties when
going to the movies was an event. This could have still been accomplished
shooting the movie on another format and presenting it in digital form. I’m a
general overall history nut, so going to see a movie made in an older style was
interesting in its own right. This was Tarantino’s vision, and I’ll gladly
indulge any historical eccentricities he wants as long as he keeps making
spectacular movies.
The Hateful Eight is the second western directed by
Tarantino the first being Django Unchained. The movie has a very different feel
than Django, even though it started out as a sequel. It has all of the Tarantino
essentials. Great dialogue, good characters, intriguing story, and fantastic
performances. The entire first two acts of the movie build a palpable tension.
You never quite know what is going on until the reveal. The tension built with
the dialogue and closed room reminded me of the opening scene of Inglorious
Bastards, but extended for a greater period of time. You then get a fantastic
exploitation payoff in the final third of the movie for an extremely satisfying
ending.
All of the performances are good in the movie. The standouts
for me were Walton Goggins, of Justified and The Shield fame, and Jennifer
Jason Leigh as the women being taken to the hanged. Each are fantastic in their
respective roles. Hopefully Goggins can start getting more movie parts after
being showcased in a Tarantino masterpiece. The person for me who absolutely stole
the show on every level is a Tarantino favorite, Samuel L. Jackson. Jackson
does channel a little Jules from Pulp Fiction, but saying he is doing the same
thing here is a disservice to the performance. For me he deserves an Oscar
nomination nod. I don’t think he will get it, because it will be seen as a
character he’s played before, but I saw more in this role. I felt it was a more
nuanced performance, and not the typical bad ass mushroom cloud laying mother
fu, sorry my kid watches these. He chewed scenery and outshined a stellar cast
and other great performances. I have to at least mention Kurt Russell. He was
great as well, though I think I preferred his performance in Bone Tomahawk,
another western, to this. Both are outstanding westerns with great performances
by Russell. If you haven’t heard of Bone Tomahawk I’ll put a link in the
description below. The dialogue in it is very similar to Tarantino or a Coen
brother’s movie.
I don’t want to say to much more about the plot or overall
story. What the trailers have shown is enough going in. Russell’s character,
John Ruth, is taking Leigh’s character, Daisy, to be hanged and they get
trapped by a blizzard at a convenience store. Ruth suspects foul play at every
corner. Which you think is just paranoia at first. I won’t say any more than
that. Other than Tarantino does a masterful job drawing you into this story and
world. I loved the little nods, like when characters drink coffee the store
they are in is still so cold that steam rises up all around the actors. I also
think Tarantino had a message he wanted to deliver with this movie. I don’t
think it’s heavy handed, but if you are looking you can see it
This movie is made to be seen in the cinema. If you can find
a theatre playing it in 70mm I would recommend seeing it that way, just to view
it how Tarantino wants it seen. If not then try and hold out for an IMAX
showing, though Star Wars has that locked up for a few more weeks. I’ve got to
mention the score as well. It is phenomenal, just as most Tarantino’s scores
are. It sets the mood and adds to the tension of the movie.
I found the entire movie to be engaging and entertaining.
This is well worth seeing, and is a must see in the theater if you are a
Tarantino fan. I’ll be buying it on blu-ray when it makes its way to home
release. For those who don’t like his movies, then stay away, because this is
very much a Tarantino film. It oozes his style and unique way of storytelling.
He actually brings back a technique he paved the way for in the nineties and
hasn’t used in his last few films.
Comment and let me know if you can tell the difference in
the 70mm aspect ratio rather than digital. Would you want more filmmakers to
try and bring back roadshows with intermissions to make going to the movies
more of an event? If you have seen the movie let me know what you thought of it
and the performances. Give me a thumbs up if you like my review. Share and
subscribe and all that fun stuff as well. Thanks for watching and bye.
No comments:
Post a Comment